Indian Décor

Workshops built around the stone trade, where slabs are cut, inlaid and hand-polished until the surface reads as soft as paper.

A city of metalworkers. Sheets are raised, spun and chased by hand, then finished in antique and satin tones rather than high shine.

Needlework measured in months, not days — fine surface embroidery worked into wool and pashmina in muted, painterly palettes.

Desert workshops where joinery, carving and lime finishes have changed very little, applied here to pared-back contemporary forms.

Communities with their own vocabulary of stitch, mirror and resist dye, translated into calm, tonal pieces for modern interiors.

Handloom weaving of extraordinary density, reinterpreted in undyed and natural tones for cushions, throws and wall textiles.

Sheesham and mango wood worked with chisels held for a lifetime — lattice, relief and fluting, kept deliberately understated.

A pottery town of kilns and glaze rooms, producing vessels with the small variations that only hand-throwing can give.

Blackened zinc alloy inlaid with fine silver — a technique held by a handful of families, and unmistakable in a quiet room.

Layered gilding and relief work from a temple-art tradition, distilled into restrained panels and objects.